Friday, December 30, 2005

The Producers: Movie Review

Cast:
Nathan Lane: Max Bialystock
Matthew Broderick: Leo Bloom
Uma Thurman: Ulla
Will Ferrell: Franz Liebkind
Gary Beach: Roger De Bris



Director: Susan Stroman

Screenplay: Mel Brooks and Thomas Meehan

Lyrics and Music: Mel Brooks

Studio: Universal Pictures and Columbia Pictures

Date Seen: Dec 30, 2005 (Oveido, FL)

Mini Review: What happens when a "past his prime" Broadway producer hooks up with a disgruntled pencil pusher? Madness...fun madness! A hapless, neurotic accountant named Leo Bloom (Matthew Broderick) convinces Max Bialystock (Nathan Lane), the "producer" of many Broadway misses, that he could make more money with a Broadway flop than with a hit. Bialystock knows all about short runs and closing nights and is quite confident that he and Bloom can produce the ultimate Broadway dud. Their strategy is to find the worst script, the most horrid director, and a group of incompetent actors so that they can intentionally sabotage their new show called "Springtime for Hitler". The result is a comedy of errors, miscalculations and surprises for Leo and Max. The film is full of clever music and well-timed physical comedy. In addition to the tremendous acting from Broderick and Lane, the rest of the cast delivers, particularly Will Ferrell and Gary Beach.

The Producers has had an incredible resurgence over the last few years. Mel Brooks introduced The Producers to the big screen in 1968 with Gene Wilder as Leo Bloom and Zero Mostel as Max Bialystock. We all know what an immense hit The Producers has been on Broadway. Lane and Broderick were aptly cast in this movie remake since they were the ones who took Manhattan by storm in 2001 by starring in these same roles on Broadway.

Score: 4 stars out of 5

Sunday, December 25, 2005

30th Anniversary of The Who By Numbers

The Who By Numbers

Before we enter 2006, let's both honor (or "honour" with a "u" as spelled in the UK) and celebrate the 30th anniversary of The Who By Numbers. (released in October, 1975). Is it The Who's best album? Not at all. Is it a very good album and a "hidden treasure"? I think so.

Facts:

Band: The Who (Pete Townshend, Roger Daltrey, John Entwistle and Keith Moon).

Session Musician: Nicky Hopkins on Piano

Producer: Glyn Johns

Release Dates:

UK: October 18, 1975 (Polydor Records)

USA: October 25, 1975 (MCA Records)

Album Cover Illustration: John Entwistle

Side 1: Slip Kid, However Much I Booze, Squeeze Box, Dreaming from the Waist, Imagine a Man

Side 2: Success Story, They Are All in Love, Blue Red and Grey, How Many Friends, In a Hand or a Face

Mini Review: Cynical, introspective, bitter, depressing, lyrical. All of these adjectives work for this album. But sometimes "downer" songs can be great as well. This album seems to be largely forgotten by everyone in the Who's circle (fans, radio stations and, yes, the band). Most songs were never touched live. There are some real Townshend gems here. How Many Friends delivers tear-jerking lyrics and a powerful Daltrey vocal. Imagine a Man is a priceless ballad. Daltrey played this amazing song in 1994 during his "Daltrey Sings Townshend" tour. Slip Kid has the power you would expect out of a Who rocker. The big "pop hit" from the album was Squeeze Box. Not a favorite of mine or most of us awful "hard core" Who fans who think we own the band (the fans that Pete seems to love and hate). Dreaming from the Waist got a lot of live play from the band in the mid to late 70s, but I don't think it is a song that has aged too well.

In the Attic: As we all know, Pete is a frequent "player" in his girlfriend's web show "In the Attic". Simply put, Rachel Fuller's show is amazing. I was surprised and most appreciative when Pete played my blog request of Blue Red and Grey on this show (and in the In the Attic "Basement Jam" as well).

1996 Reissue (Remastered and Remixed): There was a remastered and remixed edition of this album released in 1996 with 3 live tracks added as a bonus. I didn't purchase it because I was turned off with Behind Blue Eyes being a bonus track on this reissue. To me, it seemed like a cheap and easy way to sell a CD. The strategy seemed to be "stick one of the most known Who songs from Who's Next on this reissue, and it will sell more of this less popular album." Even though this live version of "Behind Blue Eyes" was from the Who by Numbers tour, I don't think it needed to be on this reissue at all. It is so hard for me to be objective about anything related to The Who because I am such a huge fan, but this is my feeling (take it or leave it). That said, or written in this case, the album (original or reissue) is terrific and should be in every Who fan's CD collection.

Bottom Line: As Pete Townshend announced yesterday (on Dec 24), there will be a Who tour in 2006. I can't wait to seem them again. I never get sick of seeing any configuration of this band live, and I have never been disappointed in the countless times I have seen The Who. I hope they dig into some of The Who by Numbers catalog and play a couple of these great songs on the 2006 tour.

Album Rating: 3.5 out of 5 stars.

Wednesday, December 21, 2005


Uncle Matt, Will and Dad (Adam) Posted by Picasa

Little Will: Not So Little Anymore

Here (above) is a picture of my two older brothers (Matt on left, Adam on right). Adam is the proud father of my nephew William (we call him "Will" or "Wills"). Subjectively, he is the cutest kid in the entire world. Objectively, he is still the cutest kid in the entire world.

Sunday, December 18, 2005

CSN&Y Concert Review (Oakland)

I used to write reviews for a now defunct website called CandidCritic.com. Here (below) is a review I wrote for a CSN&Y show in Oakland in early 2000. I hope you enjoy the review. It was a great concert.
-Aaron

Crosby Stills Nash & Young
Concert Review: Oakland, California
Arena in Oakland - February 7, 2000

Four Old Men – Rockin’ the Bay Area
At the October 12th press conference announcing this tour, Graham Nash proclaimed "The band’s objective will be to put on the best show possible and have everyone leaving with a big smile." Well, Mr, Nash, the group’s objective was met, the audience left the Arena in Oakland with unrelenting smiles.

So, what do you get when you put David Crosby, Stephen Stills and Graham Nash in a room together? Some pretty good music with beautiful harmonies. What happens when Neil Young enters the room? The simple answer is "mayhem." On February 7, CSN&Y took the stage in Oakland and rocked for over 3 hours. I think the last ten years have proven that legendary rockers do not loose their ability or drive in old age. At 50, Bruce "I’m a Rocker" Springsteen still puts on the quintenesttential concert performance. The Stones, in their mid-fifties, still know how to "tumble the dice." CSN&Y, with members in the mid-to-late fifties, still "carry on" quite well thank you very much.

These four legends are touring behind their first studio album in 11 years. The new release, titled Looking Forward, is a viable piece of work. Some of the betters songs from the album, including "Stand and Be Counted", "Looking Forward", "Out of Control" and "Seen Enough" were featured nicely in the set list. The highlights of the concert, as predictable as it may have been, were the classics that were brought back to life. The men opened up with "Carry On", the timeless track from their 1970 Déjà vu album. From there, the audience was hooked and ready to be taken hostage.

The great thing about their show is that they really know how to get the most out of each member of the band. The fact of the matter is that this band features four gifted men, two of whom are exceptionally talented. The two brilliant men I am referring to are Neil Young and the ever-underrated Stephen Stills. These two journeymen have a long and well- documented history together, dating back to the 1960s band "Buffalo Springfield." In the 1970s, the two joined forces in the Stills/Young band. It was in the "Springfield", however, that these artists learned how to make timeless music together, and after 30+ years, they are still magical together. Both came armed: Stills with his Fender Stratocaster, and Young with his Gibson Les Paul. Admittedly, these musicians are more known for their songwriting, but they are both more than competent playing the six string. Stills and Young traded mind-bending licks for most of the evening.

What about David Crosby? Put simply, this man is lucky to be alive. After years of substance abuse and now on his second liver, you would think he would be just happy to be along for the ride. Wrong! Crosby played his heart out and brought the house down twice, once while performing "Almost Cut My Hair", and also during "Long Time Gone." Whether strumming his six or twelve string, Crosby was always in tune and sounded terrific.

And then there is the man from England, Graham Nash. Poor Graham broke both legs in a sailing accident in 1999, which I think has affected his dancing. On more than one occasion, he danced like an "uncoordinated white man" while the others jammed out. But, in all fairness, he is a harmony factory!

The key to the success of this show (and the entire tour for that matter) is Neil Young’s participation. Let’s face it, without Neil Young, CSN are too much like the Kingston Trio. Throw a "Y" on to end of CSN and the result is pure brilliance. Neil Young, proving he’s not ready for the rocking chair, turns his amps up to 11 (just like the dudes from Spinal Tap).

EACH MEMBER’S BIG MOMENTS:
Neil Young’s big concert moments: "Southern Man", "Cinnamon Girl", "Only Love Can Break Your Heart", "After the Goldrush", "Down By the River", "Rockin’ In the Free World"

Stephen Stills big concern moments: "Carry On", "49 Bye-Byes" (I wish this was on the radio once in a while), "For What It’s Worth", "Love the One Your With"

David Crosby’s big concert moments: "Almost Cut My Hair" (fan favorite), "Guinnevere", "Long Time Gone"

Graham Nash’s big concert moments: Yes, he had a couple! "Marrakesh Express", "Our House", and "Teach Your Children" (so sick of that one).

I have two suggestions for all fans. First, spend $15 bucks and purchase their latest CD, Looking Forward, from Reprise Records. Secondly, cash in your "rainy day account", and see this band live.

OAKLAND SET LIST:
First Set:
Carry On
Southern Man
Stand and Be Counted
Pre-Road Downs
Heartland
Marrakesh Express
49 Bye-Byes
Slowpoke
Faith In Me
Almost Cut My Hair
Cinnamon Girl
Second Set:
Helplessly Hoping
Our House
Only Love Can Break Your Heart
Dream For Him
Someday Soon
Looking Forward
After the Goldrush
Guinnevere
Out of Control
Seen Enough
Teach Your Children
7th Inning Stretch:
Take Me Out to the Ball Game
Third Set:
Woodstock
Long Time Gone
Ohio
For What It's Worth
Down By The River
Love The One You're With
Encore:
Rockin' In the Free World

Aaron and Lisa (Los Angeles, Nov 2004) Posted by Picasa

Aaron and Lisa (New York City, September 25, 2005) Posted by Picasa

King Kong: Mini Movie Review

King Kong
Studio: Universal
Director: Peter Jackson
Release Date: Dec 14, 2005
Starring:
Naomi Watts (Ann Darrow)
Jack Black (Carl Denham)
Adrien Brody (Jack Driscoll)

Score: 3.5 out of 5 Stars

A mini-review:
Best comments: Incredible sets and strong acting. The casting of Jack Black was terrific, and the presentation of 1930s Manhattan was brilliant.
Lesser comments: A little bit of "overkill" with the gruesome creatures featured on Skull Island.
Overall: Peter Jackson succeeded with his presentation of King Kong.
Recommendation: See it in the theater! (don't wait for DVD).
Mini Review: Aaron Levin 12-18-05
Movie Venue: Winter Park Village (Winter Park , FL): 12-17-05